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- January 28, 2016.
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Author Information
- Laura Rachman1,2,3,4,*,
- Marco Liuni1,2,
- Pablo Arias1,2,
- Andreas Lind5,
- Petter Johansson5,6,
- Lars Hall5,
- Daniel Richardson7,
- Katsumi Watanabe8,9,
- Stéphanie Dubal2,3,4 and
- Jean-Julien Aucouturier1,2
- 1Science and Technology of Music and Sound STMS UMR 9912 / Institut de Recherche et Coordination en Acoustique et Musique, IRCAM, 75004 Paris, France
- 2CNRS UMR 7225 / Sorbonne Universités, UPMC Univ Paris 06 UMR S 1127, Paris, France
- 3Inserm U 1127, Paris, France
- 4Institut du Cerveau et de la Moelle Épinière, ICM, F-75013, Paris, France
- 5Lund University Cognitive Science, Lund University, 221 00 Lund, Sweden
- 6Swedish Collegium for Advanced Study, Uppsala University, 752 38 Uppsala, Sweden
- 7Department of Experimental Psychology, University College London, London WC1E 6BT, United Kingdom
- 8Department of Intermedia Art and Science, Faculty of Science and Engineering, Waseda University, 169-8555 Tokyo, Japan
- 9Research Center for Advanced Science and Technology, the University of Tokyo, 153 8904 Tokyo, Japan
- ↵*Email: laura.rachman{at}ircam.fr Corresponding author